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Adoor Gopalakrishnan Confirms New Film With Mammootty_我的网站

A |     致全区师生关于校园          消防安全的一封信          全民消防·生命至上          尊敬的老师，亲爱的同学们：          防火安全无小事，时时处处需留心。    Putting an end to rising industry speculation, Adoor Gopalakrishnan has officially confirmed that his next directorial venture will feature Mammootty in the lead role. The project marks a monumental reunion for Malayalam cinema, bringing together a filmmaker celebrated for redefining Indian arthouse storytelling and an actor whose craft continues to expand with every new performance. The film will be produced by Mammootty Kampany, the star’s home banner that has backed acclaimed titles in recent years.A landmark reunion, decades in the makingThis new collaboration arrives more than three decades after Adoor and Mammootty last worked together. The duo previously joined forces for three revered films that shaped the grammar of Malayalam parallel cinema. Anantaram from 1987 introduced a layered narrative form that played with memory and identity. Mathilukal from 1989 remains one of the most celebrated films in Indian cinema, a tender adaptation of Vaikom Muhammad Basheer’s semi autobiographical story where Mammootty’s performance is remembered for its quiet emotional power. Vidheyan from 1994 brought a darker, psychological narrative that examined power and submission, with Mammootty playing one of the most unsettling characters of his career.These works not only elevated Mammootty’s profile as an actor of immense range but also cemented Adoor’s place as one of India’s most influential auteurs. Their reunion now is not merely nostalgic. It signals the possibility of a new cinematic milestone at a time when Malayalam cinema is experiencing a renaissance in storytelling and experimentation.     Speaking to Manorama News, Adoor revealed that Mammootty was the only actor he visualised while developing the script. He said that the central character’s emotional and psychological contours aligned perfectly with Mammootty’s abilities. He also confirmed that the rest of the casting process is underway. While he refused to share details about the film’s theme, setting or production schedule, his brief comments were enough to catalyse excitement across cinephile circles.Adoor is known for maintaining absolute secrecy around his films until they are ready to be unveiled. His methodical process, shaped by a lifetime of rigorous filmmaking, often involves lengthy research and writing phases, minimalistic production design, and precise creative control. The pairing with Mammootty suggests a project rooted in character depth and thematic weight rather than spectacle, which aligns with the director’s signature style.Mammootty continues a remarkable creative streakFor Mammootty, this announcement comes at a time when he is experiencing one of the most dynamic phases of his career. The actor, who has remained consistently prolific across decades, has recently embraced experimental roles that challenge the boundaries of mainstream storytelling. His home banner, Mammootty Kampany, has produced titles like Nanpakal Nerathu Mayakkam, Rorschach and Kaathal The Core, all of which earned critical acclaim and expanded conversations around the evolution of Malayalam cinema.The star will next be seen in Kalamkaval, which arrives in theatres on December 5. With a slate that combines commercial appeal with creative bravery, Mammootty continues to navigate a unique space where his mass stardom coexists with his commitment to performance driven cinema.                The confirmation of his reunion with Adoor adds a new layer of excitement to his upcoming slate. Industry insiders expect the project to travel across festival circuits once completed, given Adoor’s longstanding presence at global film festivals and his contribution to the international footprint of Malayalam cinema.As fans wait for more information, one thing is clear. This collaboration is not just another announcement. It is a momentous return to a creative partnership that shaped Malayalam cinema’s artistic identity. The combination of Adoor’s intellectual rigour and Mammootty’s transformative screen presence promises a film that carries both historical significance and contemporary relevance.Also Read: Rajisha Vijayan Makes a Surprise Entry Into Mammootty’s Kalamkaval Ahead of Release。

B | 我们都知道，学校是承载思想、追逐理想、放飞梦想的美好家园。然而，校园内人员密集，环境复杂，火灾的各种诱发因素较多。为有效消除火灾隐患、确保师生生命财产安全，萧山区消防救援大队为大家整理了一份校园消防安全知识，请您认真阅读学习。                             学校消防安全制度          为切实加强学校消防安全工作，确保师生员工的生命财产安全，各校应制定学校消防安全管理工作制度，并严格遵守执行。         1          定期开展消防知识宣传，并确保消防演习活动定期正常开展。加强全校师生的消防安全教育，提高师生员工自觉履行消防安全责任、爱护消防设施，做到人人都知道火灾报警电话 119，人人都了解熟知消防自护自救常识和逃生技能。         2          教室、办公室、学生宿舍等人员密集场所的安全出口、疏散通道保持畅通，安全疏散指示标志明显、应急照明完好。         3          学生聚集场所不得使用耐火等级较低的易燃材料装修。

C |          4          易燃、易爆的危险化学实验用品做到按规定专门存放，双人双锁保管，严格执行领用制度。

D |          5          配齐配足消防器材，设置的灭火器需一年检查一次灭火器的药效，过期失效的应及时更换。         6          人人爱护消防设施，任何人不得随意移动和损坏消防栓、消防带、灭火器材以及各种消防警示标志等，违者要严肃处理。         7          图书馆、化学实验室、物理实验室等场所严禁吸烟及使用明火。         8          学生宿舍内严禁使用明火，禁止使用电炉、热得快、蜡烛、蚊香等，严禁吸烟，私拉乱接电线，严禁私自接用任何家用电器。         9          学校食堂厨房使用燃气的，注意防漏气、防爆、防火，使用后要关好气阀，应安装燃气泄露报警器，并备有灭火毯、灭火器等消防器材。         10          加强对校内的用电线路、设备等安全检查，不得超负荷使用电器设备，不得私拉乱按。发现用电安全隐患，要及时进行整改、维护，确保用电设施的安全。                                       校园重点区域防火                    教室：不携带火种、易燃易爆物品进入校园；不在教室门口逗留、打闹，保证教室门口的通畅；教室无人时，电器、照明开关应关闭；发现教室中的设备出现异常，及时向老师报告；爱护学校的消防器材，比如走廊上的灭火器、疏散指示标志等，确保其完好有用。                             宿舍：在宿舍不得使用明火、不抽烟、不焚烧杂物；学生宿舍严禁使用热得快、取暖器等大功率电器；严禁私拉乱接电线、网线,台灯应远离纸张、书本、窗帘、床单等易燃物；离开宿舍时要切断所有电源，包括充电器、电脑等；严禁在宿舍存放易燃易爆物品。                             实验室：应该遵守实验室安全操作规范；要在老师的指导下使用实验室设备；使用仪器设备前应认真检查电源、管线、火源、辅助仪器设备等情况；按规定配置消防器材，掌握一定的消防自救知识；要控制实验室化学物品的储存量，不要存放大量易燃易爆危险化学品，实验时定量取用，消除堆积隐患，避免造成更大的危害。                             图书馆：图书管理员必须熟知必要的消防安全知识，能发现火险隐患，会报火警，会使用灭火器材，会组织学生疏散；严禁携带易燃易爆物品及火种入馆，馆内严禁使用电热器设备；消防疏散通道必须畅通，严禁在通道旁堆放任何物品；妥当保管消防设施，灭火器要存放于醒目位置；严禁在电器附近堆放可燃物品，随时清理废纸等可燃物品；严格执行安全用电制度，不准随便乱拉电线，严禁超负荷用电。下班前必须关好门窗并切断电源才能离开；寒暑假及法定节假日要作好安全防范工作，消除隐患，堵塞漏洞，防止事故发生。                                       如遇火灾如何逃生          1          如果是初期火灾阶段，火势不大，可以根据情况，用灭火器材扑灭火焰；如遇大火，保持镇静，不要跟从人流乱冲乱撞，若通道已被烟火封阻，应背向烟火方向离开，第一时间拨打 119 报警。         2          火灾发生时，不要顾及贵重物品，可以待在阳台、窗口等易于被人发现的地方，大声呼喊、敲击东西或是晃动鲜艳的衣物，发出求救信号。         3          火灾逃生时，用湿毛巾捂住口鼻，低姿弯腰逃生，迅速寻找安全通道离开。若无法从宿舍逃出，应关紧大门，用湿毛巾、湿布等塞住门缝，在室内等待求援。

E |          4          发生火灾时，不可乘坐电梯，避免被困电梯内，增加施救难度。                                       文件来源：萧山区教育局          – END–          敏而灵韵 善成底蕴          智圆行方 允文允武                    排版编辑：倪红丹          一 审：马亚华          二 审：周萍萍          三 审：陈 琦。

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Published on:09:03:41